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Earlier this month, New York City mayor Bill de Blasio announced the city’s has the intention to ban new construction of inefficient skyscrapers as one of the purposes of a major bid to tackle climate change. The proposal seeks to dramatically reduce the largest cause of greenhouse gases in the city: All-glass buildings.
Until now, glass and steel have stand tall as mainstays of New York City’s architectural language. Throughout much of the 20 th century, glass skyscrapers were seen as the ultimate architectural mark of progress. Along with post-war innovation came the ability to fabrication huge glass panes that could be produced both quickly and uniformly, and many designers were eager to display such advancements — as conspicuously as possible — on the world stage.
Hudson Yards, New York City; photo by Maciek Lulko on flickr
Of course, this did not come without rates. 40% of the world’s power consumption and approximately one-third of world greenhouse gas emissions comes from constructs. Glass and steel structure has inevitably been at the vanguard of these massive consequences on the environment. Beyond the aesthetic homogeneity of all-glass skylines, there is growing skepticism regarding the overall benefits of this kind of construction.
While some architects are choosing to adapt with glass, exploiting burgeoning engineerings such as building-integrated photovoltaics and leveraging various boulevards of the material’s sustainable potential, many high-profile architects are choosing to move away from these best practices. Some of the results, especially in New York City, are both scandalizing and enlivening, and give a welcome relief from the status quo.
In this collecting, discover just a few of the breathtaking structures cropping up on the City’s skyline, which show incredible towers are possible without relying solely on sword and glass 😛 TAGEND 
Rendering via Dezeen
Rendering via Dezeen
“Lava Stone” Concrete
130 William by David Adjaye, New York City
David Adjaye — the designer behind D.C.’s National Museum of African American History — is making a new international mark, with his first ever New York City skyscraper. Set for completion in 2020, the 66 -story, 244 -unit residential tower built in collaboration with Hill West Architect and Lightstone, is robed in a dark gray-headed concrete facade that is meant to resemble lava stone. The entire face of the building, including its highly detailed, faceted texture, draws inspiration from the stone and masonry artistry of other historic constructs in the neighborhood.
According to Adjaye, “The design for 130 William accepts the tower’s location on the city’s earliest streets.” Adjaye was “inspired to craft a build that turns away from the commercial-grade feel of glass and that instead celebrates New York’s heritage of masonry architecture with a distinctive existence in Manhattan’s skyline.”
Rendering via Dezeen
Rendering via Dezeen
Handmade Bricks
180 East 88 th Street by DDG, New York City
180 East 88 th Street by DDG, which falls under building in New York City’s Carnegie Hall, will be one of the tallest skyscrapers in the area formerly completed. With this designing, DDG sought to reference masonry high rises constructed in New York between 1920 and 1940, many of who the hell is built in the artistry deco architectural style.
The new tower is likely to be clothe in 594,433 handmade bricks, which will be set in wooden moulds and fired at several temperatures to generate varying shadows of grey. Wholly, the building’s exterior will feature patterned grey brickwork, concrete laid in a chevron pattern, vaulted balconies, and brass frames.
Rendering by Binyan via Studio Gang
Rendering by Binyan via Studio Gang
Precast Concrete
11 Hoyt by Studio Gang, Brooklyn
Over the last twenty years, Downtown Brooklyn’s residential population enhanced by more than 40 -percent. However, many inhabitants took note of the fact that the Downtown area — a centre of commercial-grade and civic life — lacks comfortable outdoor space. With 11 Hoyt, which is currently under construction, Studio Gang was asked to layout a tower that would “provide space for nature and community to thrive, vertically, within the densifying neighborhood.”
Formerly a parking garage, the full-block website will be transformed into an raised green rostrum anchored by a precast concrete tower with scalloped borders. The building’s sculptural exterior not only induces for a dynamic addition to being able to Hoyt Street, but it also pushes out and diversifies the interior floor plan, allowing for built-in windows seats framed by eight-foot-tall windows.
Image via ArchDaily
Observational Level Rendering via New York YIMBY
Bronze
45 Broad Street by CetraRuddy, New York City
Another tower that references the City’s art deco history, CetraRuddy’s 45 Broad Street will shortly grew the tallest residential skyscraper in Lower Manhattan. According to Cetra, “Simple glass boxes never took a referential approach to the website; they’re superimposed onto the context, rather than developing thoughtfully out of it. That approach is changing now, and the humor is that builds can, and is therefore necessary to, respond to the environment and to their surroundings.”
45 Broad Street will occupy a unoccupied plenty close to the New York Stock Exchange. With thin bronze mullions that extend up the slender glass facade, the design for the 82 -story building citations surrounding artistry deco structures.
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The post New York Is Banning Glass Skyscrapers. What Comes Next ? appeared firstly on Journal.
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